Waldorf Quantum

Waldorf’s flagship polyphonic hybrid synthesizer

$4299.00

More Uptown Oscillators Waldorf Quantum articles:

June 30, 2019 – Waldorf Quantum joins “Studio” ha!
July 28, 2019 – Some first month thoughts about Waldorf Quantum
October 2, 2019 – Inside the Waldorf Quantum Synthesizer

In my opinion, the Waldorf Music GmbH Quantum is as state of the art as it gets in 2019. The build quality is tops, and the technology and features are amazing. A new synthesist might want to cut their teeth on something other than a Quantum. It’s not difficult but it is feature rich. That said, the Quantum’s panel and screen together produce a very flat interface, with no menu diving to speak of.

Obviously, no one synth can be everything to everyone, but this comes close. Online video demos tend to over represent the Quantum’s digital side. Sound-wise, the Quantum can do everything from warm analog to crisp digital. With 5 types of synthesis engines, including a soon to be released FM type engine, your sound palette will be overflowing with options for real.

Yes, it is not inexpensive, but if you think something half its price is comparable, think again. If you are not feeling its value yet, you are not understanding the machine. It is worth the money, period.

Rather than reinvent the wheel going into detail of every section, I’m going to point you at a developing video series by Tim Shoebridge in a YouTube video list below. For lack of a better description, I called the series a deep dive tutorial. It is not a basic synthesis tutorial. I was very comfortable with the level Tim speaks to here.

Thanks!
-Yehuda

Manufacturer’s website
https://waldorfmusic.com/en/quantum

Manual
Quantum-Manual-E-OS-1.3.pdf

Product support, downloads
https://support.waldorfmusic.com/products/Quantum

Strongly recommended that you download the newest OS, unless you hate bug fixes, stability and new features.

Facebook user groups

Waldorf Quantum Synthesizer Group
https://www.facebook.com/groups/184475775419027

Videos

(Uptown Oscillators) UO Quantum Deep Dive Tutorial YouTube Playlist
(Uptown Oscillators) UO Waldorf Quantum YouTube Playlist
(Uptown Oscillators) UO Quantum Patches & Music YouTube Playlist

Useful Links

Be sure to join the Uptown Oscillators Facebook Group!
https://www.facebook.com/groups/UptownOscillators

This page is a living document, subject to update and expansion. Last edited – 8/10/2019
If you have any content you think should be added, or would like to help author gear pages/posts, please leave a comment here or on our Facebook group.

Manufacturer Specifications: click to open/close or jump to comments

Specifications

  • Digital-Analog Polyphonic Synthesizer
  • 61 Keys high-quality Fatar TP8S keyboard, channel aftertouch
  • 8 voices
  • Dual timbral: split or layered mode with separate stereo audio outputs
  • 3 stereo digital oscillators each capable of four synthesis algorithms
  • Wavetable: Waldorf style with latest additions from Nave including speech synthesis, wavetable generation from audio and new features
  • Waveform: Waveform with up to 8 simultaneous waves per Oscillator in detuned or chordal mode with hard-sync, warp & PWM as well as tunable noise
  • Particle: Sampler in traditional and granular mode using multi-samples or live input
  • Resonator: Exciter using multi-sampling plus filter bank sound model.
  • Two analogue lowpass filters per voice each in 24 or 12 dB configuration using innovative link modes
  • Digital former: Additional digital algorithms per voice like comb filter, high-pass, band-pass & notch filters (Nave, Largo or PPG models), bit-crusher, drive and more
  • Flexible routing system for order of analog filters & digital former and individual oscillator routings
  • 6 LFOs in poly and global mode with extensive parameter set
  • 6 loopable envelopes
  • Komplex: multistage LFO/envelope modulator
  • Extensive modulation matrix with 40 slots and easy via-controller assignments
  • Intuitive modulation assignment via panel elements and control LEDs
  • Master effect rack of 5 slots for each timbre choosing from FX like phaser, flanger, chorus, reverb, drive, eq and more.
  • Compressor for main output
  • Step sequencer with step recording, parameter automation and scale-based pitch quantization
  • Microtonal pitch configurations capable of importing Skala scl files
  • Capable of polyphonic aftertouch via external MIDI inputs
  • Chord and latch buttons
  • Unison mode
  • Module-based preset system for effects, oscillators, step-sequenzer and Komplex modulator
  • Single-function potentiometer and encoder controls for intuitive editing
  • Visualisation and deeper sound editing via context-sensitive high-resolution capacitive multi-touch display
  • Spectrum Analyzer and Oscilloscope at various processing stages
  • Up to 10,000 sound patch capacity organized by banks, attributes, author and patch number.
  • Favourites lists for quick recall of sound patches like for set-lists etc.
  • Pre-loaded with wide variety of patches by acclaimed sound designers like Howard Scarr
  • MIDI output of local keyboard, wheels and assignable panel elements
  • Automation of sound parameters from MIDI inputs via MIDI CC learn function
  • Recording of samples from audio inputs or self-recording of audio outputs
  • 4 GB internal Flash memory for presets, samples and wavetables
  • Pre-loaded with more then 1 GB sample data
  • Export & import of presets, sample & wavetable via SD card
  • Import of Nave presets
  • Mod wheel can be assigned to any parameter which can be modulated in the matrix or via quick assign
  • Pitch wheel can be assigned to each oscillator individually

Sampling capabilities

Each of the 3 Oscillators of a single timbre can be used in one of three modes using samples:

  • Stereo Multi-Sampler with looping
  • Granular Sampler with extensive parameter set
  • Resonator model using sampler as exciter

Samples are organized using key and velocity maps, selections rules like round robin, random etc., and individual pitch, gain and pan settings.
Samples are stored in internal Flash memory of about 4GB capacity pre-filled with over 1GB specially made for Quantum factory samples.
New samples can be recorded from external stereo audio inputs, or from self-recording Quantums own engine.
Samples can also be imported an stored to internal Flash via SD card using WAV and AIFF file format (44.1kHz sample rate).

The Quantum allows for a huge range of sample-based sound design capabilities from classical synths sounds to uncharted territories.
It’s worth noting that the sample use in the Quantum is always within a synthesizer’s sonic context, and it is not meant to work as a “bread and butter” sample keyboard to play back like traditional sampling instruments nor third party libraries.

Huge range of arpeggiator parameters:

  • 7 Algorithms to choose from like up, down, random etc.
  • Octave range
  • 7 Sort Orders
  • 3 Velocity Modes
  • Gate length
  • Swing
  • BPM
  • Beat Division
  • Rhythmic patterns 
  • Reset Modes
  • Keyboard Latch chordal and non-chordal

If that’s not enough, individual patterns can be created in the step-sequencer including transpositions and scale quantisations.

Connections:

  • 2x stereo audio out for main and aux timbres
  • Stereo audio input for sample recording and real-time processing
  • High-Quality 24bit A/D and D/A converters
  • Headphone out with separate level adjustment
  • Sustain pedal input
  • Control pedal connector also capable of CV input (0-5V sensitivity)
  • USB host type A connector for interfacing MIDI controller
  • USB device type B connector for interfacing computer or other class-compliant MIDI USB hosts like iOS devices **)
  • SD Card for sample/preset exchange and software updates
  • DIN MIDI In, Out & Thru
  • Integrated power supply unit

*) Raw physical data size for complete system including pre-loaded data and system software. Net usable size for audio samples is about 4GB including pre-loaded samples.
**) separate Apple “Lightning to USB Camera Adapter” adapter needed

(subject to change without notice)